Publications

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2021
Mazhar, A. A., "Performing Rituals and Orality as Tools of Consolidation/Subversion of Traditions: The Cases of Wole Soyinka's Death and the King's Horseman and Shazly Farah' The Southerner"", Translating Cultures in Search of Human Universals, Newcastle Upon Tyne, Cambridge Scholars Publishing, 2021.
2020
Mazhar, A. A., ""Revisiting or Inventing History? The Cases of Brian Friel's Making History and Mahmoud Diyab's Gate to Conquest", Annals of The Faculty of Arts,Ain Sham University, vol. special issue, issue Special issue, pp. 1-17, 2020.
2017
Mazhar, A., ""East, West Terrorists are Worst": Salmawy's The Chain and Soan's Talking to Terrorists", Recontextualizing Resistance, Newcastle upon Tyne, UK, Cambridge Scholars, 2017.
2015
, "• “Ritual and Myth in Dalia Bassiouny’s Magic of Borolos”", IFTR(International Federation of Theatre Research), The University of Warwick,UK, 28th July-1st Au, 2015.
2014
, "• “A Nation in Quest of Literary Form”", ASAUK Conference(African Studies Association in UK), University of Sussex,UK, September 2014.
, "• “East, West-Terrorists are worst in Mohammed Salmawy’s The Chain(Al Ganzeer)and Robin Soans’ Talking to Terrorists(2005).”", Twelfth International Symposium on Comparative Literature, CAiro University, Nov. 2014.
, "• • “Creativity Revisited; Old forms in new dramatic bottles Rashad Rushdy’s Behold ,behold!(1966)and Frank McGuinness’ Carthaginians(1984)”", Eleventh International symposium on Comparative Literature, Cairo University, Nov. 2012, 2014.
2012
, "• “The Changing Dual Image of Egypt: The Disciple or the Saviour? in G.B.Shaw’s Caesar and Cleopatra and The Millionairess.”", “Images of Egypt” organized by the Society of Comparative Literature , Cairo, April 2012.
, "• Consolidation/Subversion of Democracy in Shakespeare’s Coriolanus and Rashad Rushdy’s O, My Beloved Country.”", “Democracy and Drama” , Cairo University, Department of Classics, Faculty of Arts, Cairo University, 2012.
2011
, "• “Exilic identity crisis in Tom Murphy, Martin McDonagh and Yussef El Guindi” ", IASIL, Leuven, Belgium , July 2011.
, "• “To be self-marginalized or not’; that is the tragedy in Marina Carr’s The Mai and Fattheyya El ‘Assal’s The Dumb Woman.”", Tenth International symposium on Comparative Literature, English Department, Cairo University, English Department, Cairo University, 2011.
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