Mazhar, A. A., ""Magical Realism ;A Technique to reconstruct the World from beyond the Valley of the Dead"", Cairo Studies in English(CSE), vol. volume 2024, issue 1-July 2024, pp. 22-39, 2024.
Mazhar, A. A., ""Haggag Oddoul's Tasabih Niliyah (Hymns to the Nile);A Celebration of Inclusionist Plurality"", Voices from Nubia;Critical Essays on Contemporary Nubian Literature from Egypt, Columbia .USA, Dotawo-Punctum Books, 2024.
Mazhar, A. A., ""Revisiting or Inventing History? The Cases of Brian Friel's Making History and Mahmoud Diyab's Gate to Conquest", Annals of The Faculty of Arts,Ain Sham University, vol. special issue, issue Special issue, pp. 1-17, 2020.
Mazhar, A. A., "Performing Rituals and Orality as Tools of Consolidation/Subversion of Traditions: The Cases of Wole Soyinka's Death and the King's Horseman and Shazly Farah' The Southerner"", Translating Cultures in Search of Human Universals, Newcastle Upon Tyne, Cambridge Scholars Publishing, 2021.
Mazhar, A., ""East, West Terrorists are Worst": Salmawy's The Chain and Soan's Talking to Terrorists", Recontextualizing Resistance, Newcastle upon Tyne, UK, Cambridge Scholars, 2017.
, "• “To be self-marginalized or not’; that is the tragedy in Marina Carr’s The Mai and Fattheyya El ‘Assal’s The Dumb Woman.”", Tenth International symposium on Comparative Literature, English Department, Cairo University, English Department, Cairo University, 2011.
, "• Consolidation/Subversion of Democracy in Shakespeare’s Coriolanus and Rashad Rushdy’s O, My Beloved Country.”", “Democracy and Drama” , Cairo University, Department of Classics, Faculty of Arts, Cairo University, 2012.
, "• “Ritual and Myth in Dalia Bassiouny’s Magic of Borolos”", IFTR(International Federation of Theatre Research), The University of Warwick,UK, 28th July-1st Au, 2015.
, "• “The Changing Dual Image of Egypt: The Disciple or the Saviour? in G.B.Shaw’s Caesar and Cleopatra and The Millionairess.”", “Images of Egypt” organized by the Society of Comparative Literature , Cairo, April 2012.
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